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Got some tunes you've recorded on
the VF-16? Well, this is the place to show 'em off! Submit
the links and they'll get posted right here on this page.
From CraigThe band that I am in recorded Born To Be Wild in my home studio using the VF-16. The studio is minimal with budget equipment. Below is a summary. Nady SCM 900 condenser mic for vocals and two Marshall MXL 1006BP condenser mics for drums. BBE 362NR for noise reduction, Yorkville YSM-1p monitors, Yamaha DG-130HA guitar head, Digitech VGS-2120 guitar effects processor, Really Nice Compressor used to compress the drums. I use the VF-16 internal compressor to compress the vocals and bass. The guitar used was a Carvin DC135C. Here is the link: http://fhs.dmusic.com Thanks, Craig
From Glenn
I have seven tracks recorded on my fostex VF160 on the site below.
Your's thankfully
Glenn Loughran
FromRon Here is the link to a couple of tunes/parodies I did up on my VF16. Used a 58 and 57 for mics, Behringer DI (red) box, Casio synth, Fernandes 6 string, Rickenbacker 4001 bass and my voice. http://www.ic-musicmedia.com/juanfernandes Thanks for listening.
From Zeke
"The Beautiful People" This is an old MM tune from anti-christ superstar. I'm only 15, but i love my vf-16 (i've had it for almost 2 years now) this is my latest one. this is how it was recorded:
Guitars: Sanota Electric Guitar - Pod 2.0 -
Vf-16
Bass:
Washburn bass - Pod 2.0 - vf-16
Drums-
Kick - d112 - composer pro - vf-16
snare - sm57 - composer pro - vf-16
overheads - Mxl603s - Art TBS pre-amps - Vf-16
Vocals
- shure sm48 into vf-16 (on the backing vocals i also ran the mic through
the Pod 2.0 for some of them)
Then i imported the song into Acid for the
opening sound and the vocie samples.
for
more questions e-mail at rainrecords1@yahoo.com
Cheers!
Zeke
From Mike
This song is an original work by the
band Hidden Agenda, I recorded and mixed everything on a Fostex VF-16.
Below is a listing of the equipment I used and some notes I made.
Lead vocal: Microphone - I used an AT4040 LD condenser with the low cut filter switch turned on. PreAmp - Grace 101 Compressor RNC Kick Drum: Microphone AKG D112 PreAmp SUNN 2416 Compressor Composer Pro Snare: Microphone Sennheiser e604 PreAmp SUNN 2416 Tom 1: Microphone Sennheiser e604 PreAmp SUNN 2416 Tom 2: Microphone Sennheiser e604 PreAmp SUNN 2416 Floor Tom: Microphone AT Pro 25 PreAmp SUNN 2416 Overhead L: Microphone MXL 603 PreAmp Mackie CFX20 Compressor Composer Pro Overhead R: Microphone MXL 603 PreAmp Mackie CFX20 Compressor Composer Pro Bass: PreAmp SUNN 2416 Compressor Composer Pro Guitar: PreAmp SUNN2416 The guitar we recorded direct in, we are planning to go back and overdub the guitar tracks but havent gotten to it yet. We think the guitar tracks sound good as they are so no immediate rush there. Keys (Yamaha Motif 7): PreAmp SUNN 2416 It was the first time we used the SUNN 2416 mixing board, our guitarist has one so I thought lets give it a try. Normally we use the Mackie CFX20 to pre-amp everything when we are recording. I really like the sound the SUNN puts out, I wish I could find some specs on this board. From Steely John
These 3 songs were recorded and mastered on the
VF 16. They feature a live drummer, bass, guitars, mandolin, keyboards,
percussion. The guitars were tracked through a digitech RP 5, Bass recorded
direct, mando direct and mic'd with a Marshall V67, percussion and drums
with a combination of the Marshall as the overhead and audix dynamics
on the kick and snare. The overall reverb is through an Lexicon MPX200.
Hope you enjoy them.
http://artists.mp3s.com/artists/505/tracy_steele_band.html
Steely John
From Alan
On my website, I have a few MP3's up. I have tons more done, but since the site can only hold about 3 and the bandwidth is VERY limited, that's all that is there for now (until I bite the bullet and actually pay the $7.95 /month for better web hosting).
All that aside, the songs were recorded on the VF-160 using a Line 6 POD 2.0 for the guitars and a dbx 266xl for the compression.
The drums are courtesy of the Boss DR-670. Hope you like the tunes. They fall into the alt/pop/rock genre so you don't have to cover your kids' or grandma's ears or anything. Feel free to leave feedback in the guestbook on the site.
For any specific questions, email at: alan_mcgee_2k@yahoo.com.
Thanks!!! http://alan_mcgee_2k.tripod.com/alanmcgee/id4.html Alan http://alan_mcgee_2k.tripod.com/
From Dust This
tune was done in a spontaneous fashion, completely on the VF16, and,
well,....it's a bit off the cuff, yet had such real feel, we had to post it!
we are in the process of doing a perfect take, but we wanted to unveil it
here, for a special audience...an Alternative Country type song, form the
Heart(land)!!!
Our band is know as Dust....here's the link!!!!!!
Let
me know what you think!!!!!
From Music for Viola I recorded this song for a friend(and fellow Fostex user) who releases a CD collection of Christmas songs written by bands in the Richmond VA area.
Please send comments on the recording and mixing to:
This was my the first song I recorded and I would love some constructive
feedback.
From Aaron I have a shure 57 and two 58s and a handful of mics that are slightly better than crap. I recorded everything onto the vf-160 and then burned the wavs to cd and mixed in Cubase.
Any feedback is welcome. Send to: abaker88@hotmail.com.
The song is called "Take What I Make -
Demo" http://www.mp3.com/the_vf From Tim I copied stereo wav files to my PC via zip drive and then created a single WAV file with Goldwave. The link is at: http://artists.mp3s.com/artist_song/2839/2839033.html Please send feedback to tmadorm@hotmail.com Blinding Sky (mp3) From Dirk
Hi,
I thought I'd submit my page: http://www.mp3.com/schaltstern
Dirk (mp3) From Mark Mark Winer (mp3) From Steve Isaac's Blessing (mp3) From Mac Bobby Ru'nnel (mp3) From Sean "Feedback is welcome and thanks for listening!!" Full Thrust (mp3) - Download Track - sean808080 Website From Cat Rood "On the drum tracks (drum machine and or synth) I E.Q. them after the fact by boosting the lows for the kick and the highs for the cymbals . I also add a little doubling and a lot of reverb. The drum tracks are always centered. "I use a little low end E.Q. (pre post) on the bass, but not much (I usually don't have to on the Fostex- unlike my old Korg D-8) and it is always centered. I can record the bass direct in and it sounds fine. "I pan the keyboard tracks hard left and right and sometimes add a tiny bit of reverb (but usually not). "I pan the guitar Lead tracks slightly left and right (since I usually have more than one) and add a little reverb. "The rhythm guitar (which I sometimes have more than one track) is usual either center or just slightly to one side and I usually add a little chorus." Cat Rood (mp3) - Cat Rood WebsiteFrom Alan (again) From Radio Bikini Radio Bikini (mp3) From Eighty Grit So Beautiful (mp3)From Daniel (Imported From Nowhere) From Spunn "I have a multitude of "bands" that I am in and we record in a 2 car garage in the middle of a field. One of the bands I am in has four guys who all live in different cities. We get together every 6 months or so and "Make an album". We recorded four songs one weekend on the VF-16, and they are the first four songs at our site: Spunn"Everything's Wrong was recorded live onto the VF-16 with one guitar overdub and two vocal overdubs. The drums were mic'd with an SM-57 on the snare, an SM-58 on the kick, an Electro-Voice Midnight Blue on the floor tom, and another SM-58 on the tom. The bass amp was mic'd with an SM-58, and I also ran a patch cord from the line-out on the amp and recorded a direct track. The guitar amp was mic'd with one of those 200 dollar MXR mic's they give away at Mars Music if you buy a VF-16. The guitar overdub and vocal overdubs were also done with this mic. The song was mixed entirely using the VF-16's effects - a little overall compression, and some reverb on the snare and vocals. I kept both the mic'd and direct bass signals, panning them hard left/right and it actually adds some life to the bass. "After the Fact was tracked with the same setup as before, only there was no live bass. The guitarist ended up overdubbing bass as the bassist had to leave, and he also added a second guitar part and overdubbed a solo as well. There are three vocal parts that I overdubbed. To mix this I ran an Alesis dual compressor as the two outboard effects - one for the bass only and one for the drums only. I also used overall compression from the VF-16 along with a little multitap delay on the vocals. I rode the levels on the vocals as well while I was mixing. I had to work with EQ a bit on the drums as well, and added reverb to the snare. On the kick drum I took out alot of the mids which really made it punchier and cancelled out some of the bleed from the guitar amp. The other two songs at Spunn that were on the VF-16 are "Scratches and Dents" and "The Windows of My Mind." I mastered the four songs using SoundForge on my PC - mainly using the normalizing feature. "The other track I've done is a one-man-band silly thing I did with a little help from the Alesis compressor - its called "Too Funky" and was recorded impromptu as a "theme song" for a film a friend is making. I love being able to have three drum tracks, two trumpets, two bass, two clavinet, one guitar, two backup vocals and one lead vocal and STILL HAVE THREE EMPTY TRACKS! Please keep in mind this song was built from the drums up by one guy in about an hour - I played everything and made up the vocals on the spot - one take. Here's the link for what I call The Sassy Astronauts-Too Funky." From Dustin (apple of His eye) From Caitlyn Save Yourself As Long As We're Breathing (mp3) - Caitlyn Website From Alan "The only electric guitar I used on the songs was my Schecter A-7 7 string. I also used a crappy Yamaha classical acoustic for Part 3 and a Rogue 5-string bass for all 3 songs. Since I mostly work alone, I don't have a whole lot of equipment (as far as mics and stuff), so I recorded all the guitars and bass with my Johnson J-Station, except for the acoustic guitar. For the acoustic guitar and all vocals (as well as some weird effects added throughout) I used an AKG C2000B mic with a Presonus Blue Tube pre-amp. (I used an ME-30 guitar preamp for some vocal effects at the begining of Part 3). As far as drums go, they were all done with a Boss DR-5 drum machine. (I don't have any real drums, and probably would have a hard time recording them if I did... and i wouldn't know how to play them very well!) I also used the DR-5 for the keyboard parts. Also, for the solo at the end of Part 3 I ran my 7-string through a DigiTech Whammy-2, then the ME-30 (for wah) and then into the J-Station. I used SoundBlaster .Wav Studio to record them into my computer." Original Organism (mp3) From Muffinhead Audio (aka: Danielle G.) "I recorded the drums with AKG D112 on kick, 2 AKG C418 on the toms, Sennheiser e604 on the snare, Oktava MC012 on the Hi-hats, Audio Technica AT822 stereo mic for the overheads. I doubled the bass direct w/ART MP TUBE pre and mic'ed the bass cab with the AKG D112. 3 tracks of guitar with an Audio Technica 4033a and 2 vocals, 1 with the Audio Technica 4033a and the other with MXL 2001p. I used the ART MP on the guitar track and both vocal tracks. I had to use a Mackie board to get the extra inputs. I dumped this realtime via the in-line to Steinberg Wavelab for mastering and turning into a MP3. This is a long way from sounding pro. But we were all surprised with the quality we got with little fuss. This was fun! I hope to cut a CD EP for these guys using the VF-16. Cheers!" 10000 Miles (mp3)From Steve "Here's a recently-completed sound bed I did for a hospital's television campaign in Lexington, Kentucky. The project used an Alesis QS6.1 (piano, choir), a BOSS Dr. Groove (loops & noises). The Fender P-bass came digitally out of a Johnson Amplification J-Station. The acoustic guitars were mic'ed with a RODE NT-1 direct into the VF-16's preamps. The VF-16 drove my Mac's s Emagic sequencer, which controlled playback of everything but the guitars." Sound Bed (mp3) From Mel & Rob From Paul C. From David Z. From Bill H.
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